03 Mac 2015

High Roller: Bespoke model complete with silk interior and mother of pearl paint job to be unveiled at cost of £1million


  • Phantom II Serenity already had a buyer before it was officially unveiled
  • Makers have ditched leather and opted for silk interior on the £1m car 
  • Inspired by royal carriages, it has ten-yard panels of hand-painted silk
  • Silk from China was hand-woven in one of Britain’s oldest mills in Essex
  • Exterior mother of pearl paint is most dear ever developed by Rolls-Royce
  • Model due to be unveiled today at Geneva Motor Show and already has a buyer 
For its specially commissioned one-off Phantom II Serenity, the luxury British car-maker has looked back for inspiration to the era of royal, silk-lined horse-drawn carriages which carried Kings, Emperors and other assorted potentates.
It has adapted centuries-old hand-crafted skills of silk-weaving and decorating , then updated them for the super-luxury car of the 21st century.

Rolls-Royce launches its most opulent bespoke limousine today – with a silk interior and £1million-plus price tag to match
Rolls-Royce launches its most opulent bespoke limousine today – with a silk interior and £1million-plus price tag to match
Rolls-Royce said the Serenity – designed to be an oasis of calm in a hectic world – already had a buyer, unnamed, before it is officially unveiled today
Rolls-Royce said the Serenity – designed to be an oasis of calm in a hectic world – already had a buyer, unnamed, before it is officially unveiled today
It said the Serenity, shown at the Geneva Motor Show, ‘introduces a completely new level of individualised luxury’
It said the Serenity, shown at the Geneva Motor Show, ‘introduces a completely new level of individualised luxury’

Rolls-Royce said the Serenity – designed to be an oasis of calm in a hectic world – already had a buyer, unnamed, before it is officially unveiled today at the Geneva Motor Show.
Rolls-Royce said the Serenity ‘introduces a completely new level of individualised luxury’ applied to a Rolls-Royce Phantom whose base price starts at around £350,000.
Designers were inspired by co-founder Sir Henry Royce’s maxim: ‘When it does not exist, design it.’
After more than a century of cars having leather interiors, designers decided to revert to the luxury material of a bygone age – silk.
A Rolls-Royce spokesman said: ‘Our bespoke design team took inspiration from the opulent interiors of Rolls-Royces that have conveyed Kings and Queens, Emperors and Empresses and world leaders.’
Added into the mix are contemporary interpretations of furniture design and Japanese Royal robe motifs.
Rolls-Royce said: ‘Serenity reintroduces the finest of textiles – silk – to create the most opulent interior of any luxury car. This unique design demonstrates the levels of craftsmanship, creativity and attention to detail only Rolls-Royce Motor Cars can offer.’
Giles Taylor, director of design at Rolls-Royce said: ‘Having revisited the history of the amazing interiors of the elite Rolls-Royce’s of the early 1900’ s, we felt inspired to share this heritage with our new customers in a very contemporary way.

Laser-cut Mother of Pearl petals have been hand-applied – petal by petal - onto the wooden marquetry on the rear doors
Laser-cut Mother of Pearl petals have been hand-applied – petal by petal - onto the wooden marquetry on the rear doors
The luxury British car-maker has looked back for inspiration to the era of royal, silk-lined horse-drawn carriages which carried Kings, Emperors and other assorted potentates
The luxury British car-maker has looked back for inspiration to the era of royal, silk-lined horse-drawn carriages which carried Kings, Emperors and other assorted potentates

‘The choice of Phantom for this project was obvious, but creating the motif that would define this most opulent and modern of automotive interiors would require considerable new expertise.
This added expertise came from Cherica Haye and Michelle Lusby, both textile arts graduates from the Royal College of Art and Plymouth University respectively, who worked on the project.
Michelle Lusby said: ‘Some of the most opulent silk motifs come to us from the Orient, where imperial families’ and rich merchants’ robes were made from the finest silk materials.’ This includes a highly complex handmade ‘twelve-layer robe’ of silk worn only by female Japanese courtiers.
From the 17th to 19th century Japanese merchants commissioned beautiful clothes ‘to demonstrate their wealth and good taste’ she said.
They demonstrated ‘elegant chic’ focussed on subtle details: ‘Those with style and money found ways to circumvent rules that forbade the use of certain colours, such as red, by applying them to undergarments and linings.’ 

Added into the mix are contemporary interpretations of furniture design and Japanese Royal robe motifs
Added into the mix are contemporary interpretations of furniture design and Japanese Royal robe motifs
Each car has ten yard-long panels of specially woven and painted silk, each of which is the product of 600 man-hours of painstaking craftsmanship
Each car has ten yard-long panels of specially woven and painted silk, each of which is the product of 600 man-hours of painstaking craftsmanship

Cherica Haye said: ‘The rear compartment of a Phantom is the most tranquil, beautiful place to be, a place where time and the outside world simply slip past.
‘This tranquillity made us think of the Oriental tradition where Emperors would take to their private gardens to reflect in solitude under the blossom trees. The blossom motif is one that is cherished in Far Eastern culture and has been beautifully applied to Royal robe design over the centuries.’
Silk for the Serenity came from the town of Suzhou in China, renowned for its creation of imperial embroidery.
It was then sent to one of Britain’s oldest mills, Vanners in in Essex, to be hand-woven into just 10 metres of the fabric – enough to clothe the interior of Serenity – in a process that took two days or two hours per meter of fabric.
Some 140 silk threads per centimetre were blended into the lustrous Smoke Green colour which was then hand-painted and embroidered by craftsmen from Britain and China. 

The Mother of Pearl petals are also hand-applied on the clock-face and instrument panel
The Mother of Pearl petals are also hand-applied on the clock-face and instrument panel

Each car has ten yard-long panels of specially woven and painted silk, each of which is the product of 600 man-hours of painstaking craftsmanship. Each individual petal of the crimson blossom motif is hand-painted directly onto the silk.
Laser-cut Mother of Pearl petals are hand-applied – petal by petal - onto the wooden marquetry on the rear doors.
It is also used on the clock-face and instrument panel.
And the bespoke exterior Mother of Pearl paint is ‘the most expensive one-off paint ever developed by Rolls-Royce Motor Cars.’ It is added in a three-stage pearl effect and hand-polished for 12 hours at Goodwood. Even the two-colour coachline – an upmarket ‘go-faster stripe’ – was applied in a sweep by the ultra-steady hand and squirrel-hair brush of expert Mark Court.
Powered by vast 6.6 litre V12 engine, the Phantom Serenity is no slouch either accelerating from rest to 60mph in around five seconds to a top speed limited to 155mph.

Powered by vast 6.6 litre V12 engine, the Phantom Serenity is accelerates from rest to 60mph in around five seconds to a top speed limited to 155mph
Powered by vast 6.6 litre V12 engine, the Phantom Serenity is accelerates from rest to 60mph in around five seconds to a top speed limited to 155mph

And there’s a huge market among the super-rich. Some 85 per cent of all Rolls-Royce global sales in 2014 had some level of bespoke content – up by a third (31 per cent) in the year.
Rolls-Royce design director Giles Taylor said: ‘From renaissance times to the modern day, eminent people have surrounded themselves with rare fabrics such as silk to signify their power and position in society, whether at home or on the move.
‘In the early 20th Century, as closed Rolls-Royce’s replaced luxurious carriages, these opulent fabrics began travelling with their owners in the rear compartments of the world’s finest motor cars.’
Only when automotive leather became more refined was it accepted by the super-rich of the day, and then becoming the norm. Bamboo and Smoked Cherrywood are also used in the interior, along with Arctic White leather and carpet in the luggage compartment.
But he added: ‘The thought that fabrics such as silk have been discounted from use because of their delicacy only spurred us on to go further than any other car maker is capable of doing. The result is Serenity.’
Rolls-Royce Motor Cars chief executive Torsten Müller-Ötvös said: ‘Celebrating the historical role played by silk as a symbol of ultimate elegance, the Rolls-Royce Motor Cars Bespoke Design team has created a magnificent one-off Phantom which will set a new benchmark for luxury individualisation in the motor industry.’
Rolls-Royce sold more than £1.2billion worth of cars last year after announcing its biggest ever annual sales in its 111-year history.
The BMW-owned company employing 1,5000 people near Chichester in Sussex delivered a record 4,063 cars in 2014 - up 12per cent on 2013 and boosted by sales to America, China and the Middle east.

27 Februari 2015

Orang Kaya Malaysia...2015


Chelsea announce mega shirt sponsorship deal

Chelsea announce a five-year deal with The Yokohama Rubber Company

  • The Japanese firm will be shirt sponsors at the start of the 2015/16 season
  • It's the second highest deal in English football behind Manchester United
  • It's double the amount of their current 10-year deal with Samsung
Chelsea have announced The Yokohama Rubber Company as their new official shirt partner in a near £40million-a-year agreement which vindicates owner Roman Abramovich holding out for this mega deal.
The five-year contract is the second highest kit endorsement ever signed by an English club – only behind Manchester United’s £53m agreement with Chevrolot – and is more than double the annual value of Chelsea’s 10-year partnership with Samsung, which expires at the end of the season.
Chelsea had a £25m offer from Turkish Airlines on the table for months , but demanding Abramovich wanted a lot more. The Yokohama contract leapfrogs Chelsea above Arsenal, Liverpool and Manchester City in the shirt sponsorship table as well as helping with UEFA financial fair play rules.

Yokohama Rubber Mr Nagumo with Jose Mourinho during the announcement of Chelsea's New Shirt Sponsor
Yokohama Rubber Mr Nagumo with Jose Mourinho during the announcement of Chelsea's New Shirt Sponsor

Mr Katsuragawa and Mr Nagumo with the Chelsea boss and chairman Bruce Buck after the announcement
Mr Katsuragawa and Mr Nagumo with the Chelsea boss and chairman Bruce Buck after the announcement

Chelsea captain John Terry was at Stamford Bridge following the news of the lucrative deal
Chelsea captain John Terry was at Stamford Bridge following the news of the lucrative deal

It is also a notable triumph for Chelsea’s commercial chief Christian Purslow , the former Liverpool managing director, brought in last October after the departure of Ron Gourlay to re-structure Chelsea’s commercial department and find that big-money shirt sponsor.
Purslow’s first move was to bring in outside agency HTH, formed by two ex-Manchester United commercial executives, to help in the hunt which has reaped huge rewards.
Yokohama, who manufacture tyres, also sponsor NBA teams Boston Celtic and the San Antonio Spurs. Chelsea chairman Bruce Buck said: ‘It is an absolute pleasure to welcome Yokohama as our new Official Shirt Partner and we look forward to a successful relationship with them.

The deal with The Yokohama Rubber Company will begin at the start of the 2015/16 season
The deal with The Yokohama Rubber Company will begin at the start of the 2015/16 season

The new lucrative endorsement is double the amount of the clubs current sponsors Samsung
The new lucrative endorsement is double the amount of the clubs current sponsors Samsung

‘Chelsea and Yokohama are a perfect fit. Both are global organisations with a focus on performance and innovation, as well as having huge ambition and an unwavering culture of success.
‘We believe that Yokohama will play a key role in helping us drive our global expansion in international markets such as the US, where they have operated with distinction for many years. Also, of course, Chelsea having such an esteemed and historic Japanese company as our partner enables us to accelerate our development in their home market too.
‘We are also looking forward to working with Yokohama on our community projects around the world through the Chelsea Foundation, when together we can use the power of sport as a force for good.
‘I would also like to express my sincere gratitude to Samsung, with whom we have had a successful and rewarding relationship since 2005. Chelsea has demonstrated through that 10-year partnership that we can play a critical role in helping our partners achieve their global growth objectives. We look forward to accomplishing similar success with Yokohama.’

Diego Costa will soon be wearing the Japanese firms logo on his Chelsea shirt
Diego Costa will soon be wearing the Japanese firms logo on his Chelsea shirt

13 Februari 2015

Nature in all its wonder


  • Breathtaking pictures from the International Garden Photographer of the Year awards revealed to the public
  • More than 18,000 entries were made, with a Polish photographer's shot of a climbing hydrangea crowned the winner 
  • Stunning images came from across the globe, including a number of awe-inspiring photographs taken in Britain

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From delicate flowers to misty forests, stunningly vibrant landscapes and even a spider snaring a lizard in its web, these images are all finalists in the International Garden Photographer of the Year.
The overall champion from 18,000 entries was The Ballerinas, by Polish photographer Magdalena Wasiczek showing a climbing hydrangea.
The amazing colourful yet delicate shot was also the winner of the Beauty of Plants category.

Worthy winner: Magdalena Wasiczek's 'stunning' picture of climbing Hydrangea petiolaris took first prize in the International Garden Photographer of the Year awards
Worthy winner: Magdalena Wasiczek's 'stunning' picture of climbing Hydrangea petiolaris took first prize in the International Garden Photographer of the Year awards
Mark Gray stumbled across this vibrant scene as he ran a photography workshop in Mount Buffalo Park in Victoria, Australia
Mark Gray stumbled across this vibrant scene as he ran a photography workshop in Mount Buffalo Park in Victoria, Australia
Andrea Jones, whose inspiring pictures of gardens have been shortlisted for the award in the past, was up early enough to take this snap of a frosty landscape
Andrea Jones, whose inspiring pictures of gardens have been shortlisted for the award in the past, was up early enough to take this snap of a frosty landscape
Breathtaking: The National Trust

Thrift flowering on the cliff tops above Hartland Quay at sunset, North Devon, in June 2013
Breathtaking: The National Trust Thrift flowering on the cliff tops above Hartland Quay at sunset, North Devon, in June 2013
Predator and prey: This chilling image by Peter Battye is entitled Life and Death and shows a spider snaring a lizard in its web
Predator and prey: This chilling image by Peter Battye is entitled Life and Death and shows a spider snaring a lizard in its web
Delicate, pink flowers surround the Levant Mine and Beam Engine in Trewellard, Pendeen, near St Just, in Cornwall
Delicate, pink flowers surround the Levant Mine and Beam Engine in Trewellard, Pendeen, near St Just, in Cornwall
Close up shot of a leaf on the Acer Palmatum, which is grown in a pot in our garden.I like the colour of the leaves in autumn when the back lighting picks out the colours and shapes. I looked for an angle where no shapes or shadows distract from the final image.
A perfect canopy of crowns in Richmond Park
Both these images - a close up shot of a leaf on the Acer Palmatum (left) and a canopy of crowns in Richmond Park (right) - were chosen as winners
This ghostly image of anemones blowing in the wind on a river bank in Holland was highly commended by the judges
This ghostly image of anemones blowing in the wind on a river bank in Holland was highly commended by the judges
Julia Robson shot this picture of a Ranunculus bud in her living room after buying the plant from her local supermarket
Julia Robson shot this picture of a Ranunculus bud in her living room after buying the plant from her local supermarket
This beautiful image of a Cornflower shot in natural light, with the evening sun coming in from the side, was shot by Gillian Hunt
This beautiful image of a Cornflower shot in natural light, with the evening sun coming in from the side, was shot by Gillian Hunt

Britain was well represented with a picture of Peacock Gardens in Great Dixter, Sussex winning the Beautiful Gardens category as well as a stunning shot of a poppy field in Pembrokeshire, a garden in Alnwick, a shot in the Olympic Park, Bushy Park in London, a nature reserve in Woking and the coastlines of Norfolk and Devon all winning honours.
All the colours of nature and hues of the seasons were represented in winning entries from India, Australia, Slovenia, Italy, USA, Switzerland, Holland, France, Turkey and South Africa
The twelve categories are The Beauty of Plants, Beautiful Gardens, Wildlife in the Garden, Wildflower Landscapes, The Bountiful Earth, Greening the City, Trees Woods and Forests, Young Garden Photographer of the Year for the under 16s, European Garden Photography Award and a series of portfolios.
The last two categories Changing Coastlines and Breathing Spaces are both sponsored by the National Trust.
This over-worldly image of a Gloxinia flower, from the same family as the African violet, was taken in Winter Gardens, in Wanganui, New Zealand
This over-worldly image of a Gloxinia flower, from the same family as the African violet, was taken in Winter Gardens, in Wanganui, New Zealand
A snail with an intricate spiral shell crawls along a stick, hovering on the edge as it looks for a way back down to solid ground in Italy
A snail with an intricate spiral shell crawls along a stick, hovering on the edge as it looks for a way back down to solid ground in Italy
An abstract image of an Astrantia flower head was among the finalists, with the glorious photograph entitled 'Starburst'
An abstract image of an Astrantia flower head was among the finalists, with the glorious photograph entitled 'Starburst'
All the colours of nature and hues of the seasons were represented in winning entries from India, Australia, Slovenia, Italy, USA, Switzerland, Holland, France, Turkey and South Africa
All the colours of nature and hues of the seasons were represented in winning entries from India, Australia, Slovenia, Italy, USA, Switzerland, Holland, France, Turkey and South Africa
British floral photographer Jacky Parker's Breeze photograph came in third its category after impressing the judges
British floral photographer Jacky Parker's Breeze photograph came in third its category after impressing the judges
Organised in conjunction with the Royal Botanical Gardens at Kew, the photographers will have their work taken on tour and published in a book
Organised in conjunction with the Royal Botanical Gardens at Kew, the photographers will have their work taken on tour and published in a book
Jocelyn Horsfall said her photograph of a sweep of petals was 'purity and simplicity in a graceful curve of light and shade'
Jocelyn Horsfall said her photograph of a sweep of petals was 'purity and simplicity in a graceful curve of light and shade'
This photograph of an Anemone blanda blue flower - common name Winter windflower - came in a second place in the Macro art section
This photograph of an Anemone blanda blue flower - common name Winter windflower - came in a second place in the Macro art section
Award-winner: This close-up of a Growing Agave plant by Minghui Yuan came in first place in its category
Award-winner: This close-up of a Growing Agave plant by Minghui Yuan came in first place in its category
Photographer Gillian Plummer was fascinated by this Fatsia japonica seed head and its unique structure
Photographer Gillian Plummer was fascinated by this Fatsia japonica seed head and its unique structure
Taken in Makanda, Illinois, the central florets of this bloom of Dahlia named Bodacious give it the illusion of having tongues of fire
Taken in Makanda, Illinois, the central florets of this bloom of Dahlia named Bodacious give it the illusion of having tongues of fire
This wintry picture of an Anemone by Mandy Disher was a finalist in the monochrome category of the prestigious competition
This wintry picture of an Anemone by Mandy Disher was a finalist in the monochrome category of the prestigious competition
The last rays of an evening sunset beam down on a poppy field in Prembrokeshire, with Yuliy Vasilev taking this picture at just the right moment to capture the moment's full beauty
The last rays of an evening sunset beam down on a poppy field in Prembrokeshire, with Yuliy Vasilev taking this picture at just the right moment to capture the moment's full beauty

Photographers could enter single images or themed portfolios of six.
There are over £13,000 worth of cash prizes and medals from the Royal Photographic Society.
International Garden Photographer of the Year judge Clive Nichols said of the overall winner: 'This stunning image of Hydrangea petiolaris is a worthy winner.
'What I particularly like about the shot is the way the photographer has melted the rich purples and oranges of the hydrangea into the out of focus background, creating a delicious melange of colours.
'The focus on the single delicate hydrangea flower is spot on, creating a striking and unusual winter portrait'.
Organised in conjunction with the Royal Botanical Gardens at Kew, the photographers will have their work taken on tour and published in a book.

A cyclist whizzes under cherry blossom trees in a park in Washington DC in this long exposure photograph by Amanda Kleinman
A cyclist whizzes under cherry blossom trees in a park in Washington DC in this long exposure photograph by Amanda Kleinman
This cross section of a bud of the Passion flower (Passiflora cerulae) was captured by mounting it to a microscope and chemically staining it to reveal its structure
This cross section of a bud of the Passion flower (Passiflora cerulae) was captured by mounting it to a microscope and chemically staining it to reveal its structure
Jefflin Ling's photograph of bamboo in Malaysia was converted into a monochrome image by a computer, but still retains a natural feel
Jefflin Ling's photograph of bamboo in Malaysia was converted into a monochrome image by a computer, but still retains a natural feel
Nature at its finest: Unaware of the camera, a spotted ladybird ascends the stem of a buttercup in the height of Spring
Nature at its finest: Unaware of the camera, a spotted ladybird ascends the stem of a buttercup in the height of Spring
This vibrant image of the Van Dusen botanical gardens in Vancouver, Canada, was taken by Penelope Slack on a Canon EOS 50D camera
This vibrant image of the Van Dusen botanical gardens in Vancouver, Canada, was taken by Penelope Slack on a Canon EOS 50D camera
Professional photographer Beth Buglione captured this awe-inspiring scene as sunlight shone onto a stream
Professional photographer Beth Buglione captured this awe-inspiring scene as sunlight shone onto a stream
The sun peeks through the trees as water cascades down steps between rows of flowers in a National Trust herb garden
The sun peeks through the trees as water cascades down steps between rows of flowers in a National Trust herb garden
Photographer Robert Canis, from Kent, took this atmospheric photograph on a beach on the English coastline
Photographer Robert Canis, from Kent, took this atmospheric photograph on a beach on the English coastline
While it may be less floral than some of the other photographs in its category, this picture of peeling eucalyptus bark in Singleton Botanic Gardens, Swansea, was highly commended by the judges
While it may be less floral than some of the other photographs in its category, this picture of peeling eucalyptus bark in Singleton Botanic Gardens, Swansea, was highly commended by the judges
A sea of colour: A rainbow of flowers mounted on a wall surround a woman in David Thurston's Selfie for a City Girl
A sea of colour: A rainbow of flowers mounted on a wall surround a woman in David Thurston's Selfie for a City Girl
The sun shines through the mist over clipped evergreen hedges, topiary and pencil pines over a frosty Les Jardins de Quercy in southern France
The sun shines through the mist over clipped evergreen hedges, topiary and pencil pines over a frosty Les Jardins de Quercy in southern France
Not a soul can be seen for miles in Jon Gibbs' astonishing photograph from the sand dunes at Holkham Bay in Norfolk
Not a soul can be seen for miles in Jon Gibbs' astonishing photograph from the sand dunes at Holkham Bay in Norfolk

Garden Photographer of the Year was set up by five members of the Garden Photographers' Association in 2007.
As a response to entries and enquiries from outside Great Britain, it added 'International' to the title in 2008.
Its first exhibition took place at the Royal Botanic Gardens, Kew, in May 2008 and quickly established itself as the world's premier garden and plant photography event specialising in garden, plant, flower and botanical photography.
The competition is open to everyone anywhere in the world.
Images do not have to be taken in a specified year and there is no distinction drawn between professional and amateur photographers.
This year's exhibition will be launched on Saturday at Kew Gardens and runs until April 6.
It will then go on tour, stopping at Cyprus, Sydney, Portugal, Royal Botanic Gardens Edinburgh, Sheringham Park Norfolk, Ness Botanic Garden, Wirral and Tintinhull Garden, Somerset.
There is also a book available of the exhibition.

DUIT